Alexa 35 Camera Rental Barcelona


Premium Super 35 cinema camera rental in Barcelona for commercials, narrative productions, music videos and high-end shoots.
Fully checked, production-ready equipment from Seito Camera.

The New Super 35 Reference for High-End Cinematic Production.

The ARRI Alexa 35 sets a new benchmark for Super 35 cinematography, combining exceptional dynamic range, refined color science, and the unmistakable cinematic texture that has made ARRI the industry standard. Built for commercials, narrative work, music videos, and premium productions, it delivers the image quality and on-set reliability demanded by top-tier crews.

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Super 35 Image Quality Without Compromise


The ARRI Alexa 35 delivers everything expected from a high-end cinema camera: natural color rendition, outstanding highlight handling, and the exposure latitude needed for demanding professional workflows. Its new-generation Super 35 sensor brings the ARRI look to a new level, offering a rich, organic image with the flexibility required for both production and post.

At Seito Camera, we provide the Alexa 35 fully prepared for demanding shoots in Barcelona and beyond. Every unit is carefully checked, updated, and technically inspected before delivery to ensure reliable performance on set. It is an ideal choice for cinematographers and production teams looking for a modern, robust camera system with the trusted image quality ARRI is known for.

ALEXA-35

Why Rent the ARRI Alexa 35 in Barcelona


The ARRI Alexa 35 is one of the leading choices for high-end camera rental in Barcelona, combining ARRI’s next-generation Super 35 sensor with exceptional dynamic range, refined highlight roll-off, and rich, natural color separation. Designed for demanding commercials, narrative productions, music videos, and premium branded content, it delivers the trusted cinematic texture, workflow reliability, and image consistency that top-tier crews expect on set.

Kit includes

  • 4:3 Anamorphic & ARRIRAW licenses
  • LPL adapter to PL lens mount
  • 3 x 2TB Codex cards
  • 1 x Codex reader
  • ARRI Viewfinder
  • 2 x Arri Viewfinder cables
  • ARRI Alexa Mini LF pro accessories
  • ARRI BP-8 19mm bridgeplate
  • Dovetail
  • Rods 15mm/19mm
  • 5 x B-mount camera batteries

Technical

  • Sensor Type
  • Super 35 format ARRI ALEV 4 CMOS
  • Sensor Maximum Resolution and Size
  • 4608 x 3164
  • 27.99 x 19.22 mm
  • Ø 33.96 mm
  • Sensor Frame Rates
  • 0.75 – 120 fps
  • Weight
  • 2.9kg
  • Exposure Index
  • EI 160 – 6400
  • Shutter
  • Electronic shutter, 5.0°- 356° or 1s – 1/8000s
  • Recording Formats
  • MXF/ARRIRAW
  • MXF/Apple ProRes 4444 XQ
  • MXF/Apple ProRes 4444
  • MXF/Apple ProRes 422 HQ
  • Recording Media
  • Codex Compact Drives
  • Recording Frame Rates
  • ARRIRAW 4.6K 3:2 Open Gate: 75 fps
  • ARRIRAW 4.6K 16:9 – 4.6K: 75 fps
  • ARRIRAW 4K 16:9 – 4K: 120 fps
  • ARRIRAW 4K 2:1 – 4K 0.75 – 120 fps
  • ARRIRAW 3.3K 6:5 – 3.3K: 100 fps
  • ARRIRAW 3K 1:1 – 3K: 100 fps
  • ProRes 4.6K 3:2 Open Gate: 60 fps
  • ProRes 4.6K 16:9 – 4K: 75 fps
  • ProRes 4K 16:9 – 4K: 100 fps
  • ProRes 4K 16:9 – UHD: 120 fps
  • ProRes 4K 16:9 – 2K: 120 fps
  • ProRes 4K 16:9 – HD: 120 fps
  • ProRes 4K 2:1 – 4K: 120 fps
  • ProRes 3.3K 6:5 – 3.3K: 75 fps
  • ProRes 3.3K 6:5 – 4K 2.39:1 Ana. 2x: 90 fps
  • ProRes 3K 1:1 – 3K: 90 fps
  • ProRes 3K 1:1 – 3.8K 2:1 Ana. 2x: 100 fps
  • ProRes 2.7K 8:9 – UHD 16:9 Ana. 2x: 100fps
  • ProRes 2K 16:9 S16 – 2K: 120 fps
  • Recording Modes
  • Standard real-time recording
  • No Pre-recording
  • No Intervalometer
  • Viewfinder Type
  • Multi Viewfinder MVF-2 with 4″ flip-out monitor
  • Viewfinder Technology
  • OLED viewfinder display
  • LCD fold out monitor
  • Viewfinder Resolution (pixel)
  • 1920 x 1080
  • Viewfinder Diopter
  • Adjustable from -5 to +5 diopters
  • Color Output
  • Rec 709
  • Rec 2020
  • Log C
  • Custom Look (ARRI Look File ALF-2)
  • Look Control
  • Import of custom 3D LUT
  • ASC CDL parameters (slope, offset, power, saturation)
  • White Balance
  • Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps
  • Color correction adjustable range from -16 to +16 CC
  • 1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values
  • Filters
  • Built-in motorized ND filters 0.6, 1.2, 1.8
  • Fixed optical low pass, UV, IR filter
  • Image Outputs
  • 1x proprietary signal output for MVF-2 viewfinder on VF CoaXPress connector (video, audio, power, control signals)
  • SDI 1:
  • -HD only, Processed or Clean, with or without a look file applied
  • -1.5G 422 HD (SMPTE ST292-1, up to 30 fps, progessive (p) or progressive segmented frame (psf))
  • -3G 422 HD (SMPTE ST425-1, up to 60 fps, p)
  • -3G 444 HD (SMPTE ST425-3, up to 30 fps, p)
  • SDI 2:
  • -HD or UHD, Clean only, with or without a look file applied, or SDI 1 clone
  • -1.5G 422 HD (SMPTE ST292-1, up to 30 fps, p or psf)
  • -3G 422 HD (SMPTE ST425-1, up to 60 fps, p)
  • -3G 444 HD (SMPTE ST425-3, up to 30 fps, p)
  • -6G 422 UHD (SMPTE ST2081-10, up to 30 fps, p)“Clean” is an image without surround view or overlays (status, false color, zebra, framelines, etc.)
  • “Processed” is an image with surround view or overlays.
  • Lens Squeeze Factors
  • 1.00
  • 1.25
  • 1.30
  • 1.50
  • 1.65
  • 1.80
  • 2.00
  • Exposure and Focus Tools
  • False Color
  • Zebra
  • Zoom
  • Aperture and Color Peaking
  • Audio Input
  • 1x LEMO 6pin balanced stereo line in with 12V power output
  • (Line input max. level +24dBu correlating to 0dBFS)
  • Audio Output
  • SDI (embedded)
  • 3,5mm stereo headphone jack (on MVF-2)
  • Audio Recording
  • 2 channel linear PCM, 24 bit 48 kHz
  • Remote Control Options
  • MVF-2 viewfinder can act as wired remote control with 10m/33ft cable
  • Web-based remote control from smart phones, tablets and laptops via WiFi & Ethernet (beta version)
  • Camera Access Protocol (CAP) via Ethernet & WiFi
  • GPIO interface for integration with custom control interfaces
  • WCU-4 hand-unit with control over lens motors and operational parameters via built-in white radio
  • SXU-1 hand-unit with control over one lens channel
  • OCU-1 and Master Grip control of lens and user buttons
  • Interfaces
  • 1x LEMO 10pin Ethernet
  • 1x LBUS LEMO 4pin
  • 1x SERIAL LEMO 4pin
  • 1x RET IN (BNC, switchable on SDI 2)
  • 1x USB-C
  • Wireless Interfaces
  • Built-in WiFi module (IEEE 802.11b/g)
  • Built-in White Radio for ARRI lens and camera remote control
  • Lens Mounts
  • LPL lens mount with LBUS connector
  • PL-to-LPL adapter
  • Leitz M mount (availbale from Leitz)
  • Flange Focal Depth
  • LPL mount: 44 mm
  • with PL-to-LPL adapter: 52 mm
  • Power Input
  • 1x LEMO 8pin (11-34 V DC)
  • Power Consumption
  • Around 65 W when recording ARRIRAW at 24 fps with MVF-2 attached (preliminary information)
  • Power Outputs
  • 1x Fischer 3pin 24V RS
  • 1x LEMO 2pin 12V
  • 1x LEMO 7pin EXT 24V power output
  • Measurements (HxWxL)
  • 140 x 143 x 188 mm / 5.5 x 5.6 x 7.4″
  • (camera body with LPL lens mount)
  • Operating Temperature
  • -20° C to +45° C / -4° F to +113° F @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics
  • Storage Temperature
  • -30° C to +70° C / -22° F to +158° F
  • Sound Level
  • < 20 dB(A) at 24fps

Resources

MANUFACTURER’S PRODUCT PAGE
ARRI FORMATS & DATA RATE CALCULATOR
FRAME LINE & LENS ILLUMINATION TOOL
ARRI CAMERA COMPANION APP
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